Ricoh M42 lenses
The Riken research institute (abreviation of Rikagaku Kenkyūjo, meaning Physico-Chemical Research Institute) and the Riken foundation exist since 1917. In 1927 was created the Rikagaku Kōgyō K.K., meaning Physico-Chemical Development Co., Ltd.) to market products derived from the research of the institute. On Feb. 6, 1936, the photographic paper division became Riken Kankōshi K.K., meaning Riken Sensitized Paper Co Ltd) and was placed under the responsibility of Ichimura Kiyoshi, who is thus considered as the founder of today's Ricoh. The factory was located in Ōji, Tokyo.
In 1937, Riken Kankōshi bought the company Asahi Bussan and its associated manufacturing facility, producer of the Olympic and Super Olympic cameras. This company had started the distribution of Olympic cameras in 1934 and released the Super Olympic in 1935 or 1936. In November, Riken reorganized these into the dependent company Asahi Kōgaku Kōgyō (unrelated to the other Asahi Kōgaku predecessor of Pentax), which would continue the production of bakelite cameras and leaf shutters in a semi-independent way.
In March 1938, Riken Kankōshi itself became Riken Kōgaku Kōgyō K.K., meaning Riken Optical Industries Co., Ltd.). The same year, it announced the Riken No.1, a 3×4cm camera with focal-plane shutter, which was actually released in 1939 as the Gokoku. The camera was produced in the Ōji plant, and was followed by the Ricohl, Roico, Ricohflex B, Gaica or Kinsi before the production was ended by the war.
The company finally took the name of its products, becoming Ricoh (K.K. Rikō, ㈱リコー) in 1963. From 1964, it made a few 35mm SLR with interchangeable 42mm screw lenses, most of which were called Singlex. In 1977, it switched to the K mount introduced by Pentax, for a series of cameras called XR, made until the 1990s. The only autofocus SLR cameras made by the company were the various Mirai, with non-interchangeable zoom lenses.
In 2011, Ricoh acquire PENTAX Imaging Systems Business.
Ricoh Rikenon 28mm F2.8
A well built lens which smacks of quality. Focus and aperture movements are smooth and precise.
Nice and sharp wide open with good colour reproduction and no chroma could be detected.
A definite keeper.
F2.8 1/1600th
F5.6 1/50th
F8 1/250th
F11 1/125th
Ricoh Rikenon 50mm F1.7
Like all the Ricoh lenses, a well built lens which smacks of quality. Focus and aperture movements are smooth and precise.
Nice and sharp wide open with good colour reproduction and no chroma could be detected.
A definite keeper.
F1.7 1/1600th
F8 1/320th
F5.6 1/500th
F2.8 1/1600th
Ricoh Rikenon 50mm F2
A very nice lens and although a bit slower than the F1.7 above, quality is the same and it is sharp wide open with beautiful bokeh.
F2.8 1/1600th
F8 1/250th
F5.6 1/500th
Ricoh Rikenon 55mm F1.4
F2.8 1/1600th
O WOW, what a lens! This is the epitomy of a well build, solid lens. All metal with a LOT of glass, and quite heavy for a 55mm lens.
And eventually, a F1.4 lens which is really sharp - much better than the Takumar 50mm F1.4 and the Yashinon 50mm F1.4.
Very impressive and a definite keeper!
F1.4 1/4000th
F5.6 1/640th
F2.8 1/1250th
F2 1/1600th
F8 1/250th
Ricoh Rikenon 135mm F2.8
Like all the Ricoh lenses, a well built lens which smacks of quality. Focus and aperture movements are smooth and precise.
Nice and sharp wide open with good colour reproduction and no chroma could be detected.
A definite keeper.
F11 1/100th
F8 1/200th
F5.6 1/400th
F2.8 1/1250th
Ricoh Rikenon 135mm F3.5
Another very well built all metal lens. A bit slower than the F2.8 above, but it delivers very good results.
F11 1/100th
F8 1/160th
F5.6 1/400th
F3.5 1/1250th