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Carl Zeiss Jena M42 lenses

Carl Zeiss of Germany is among the most renowned of the lens manufacturers. It's part of the Carl Zeiss Foundation, which also owned the Zeiss Ikon camera maker from its foundation in 1926 until it disappeared in 1972. In its long history it equipped many camera makers.

 

The company was founded in Jena in 1856 and called Carl Zeiss Jena. It produced microscopes and the refractometer, an optical instrument to measure the index of refraction of optical glass, developed by Carl Zeiss' partner Ernst Abbe. After Carl Zeiss' death in 1888, Abbe founded the Zeiss Foundation and built up its photographic optics branch and reduced daily working time of the company's employees to 8 hours.

 

Carl Zeiss' scientists like Paul Rudolph created such classic lens formulae as the Tessar, Planar, Biogon, and Sonnar. Around 1900 Zeiss lenses were licensed by Bausch & Lomb (Rochester), F. Koritska (Milano), E. Krauss (Paris), E. Suter (Basle), Fritsch (Vienna) and Ross (London). That way Zeiss avoided too fast growth of its own production facilities. In 1902 Zeiss bought the camera maker Palmos A.G. and continued it as Carl Zeiss Palmos. In 1909 the camera making daughter company was merged into the ICA group which later became part of Zeiss Ikon.

 

After World War II, Jena being in the Eastern part of Germany, the company split in two. One part was recreated in West Germany and based in Oberkochen, and kept within the Zeiss Foundation. The other part remained in Jena, but soon lost the right to use the traditional names, like the brand name Zeiss and the related famous lens names. In the Western countries it was known as aus Jena (means from Jena), and used obvious abbreviations, or other names reminding the past (for ex. T for Tessar, S for Sonnar). In the countries of the Eastern block, they continued to use the full names.

 

Carl Zeiss Oberkochen made lenses for the Western Zeiss Ikon after the war, but they have also made dedicated lenses for other camera marques. They continue to do so, notably for Rollei and Hasselblad. The Zeiss lenses for the Hasselblad series of medium format SLR cameras are known for their high quality, precision tolerances, resolution, and color rendition, and have been used by many well-known photographers.

 

From 1973, Carl Zeiss made a range of lenses with a bayonet mount for Yashica and Contax 35mm SLR cameras, in partnership with Yashica Camera Co. Ltd. The resulting Zeiss T* lenses were made both in Germany and under license in Japan, and developed a reputation for superb optical quality. Kyocera, which acquired Yashica, later partnered with Zeiss to introduce still other Zeiss T* lenses, including rangefinder and autofocus-mount models. In 2005, Kyocera ceased all camera production and discontinued the marketing of Carl Zeiss lenses.

 

Very recently the Carl Zeiss foundation has revived the Zeiss Ikon name for a new type of rangefinder camera, with lenses designed by Carl Zeiss and manufactured by Cosina in Japan. Sony uses Zeiss lenses for its digital cameras.

Carl Zeiss Jena Flektogon 35mm F2.4

A legandary wide angle lens, and considered to be one of the best wide angle primes in M42 mount. Zeiss lenses just have that something special, and colour reproduction is considered to be the best in this class. This lens is sharp wide open, and we have yet to encounter Chroma in any picture.

F4.5 1/500th

F4.5 1/500th

F4.5 1/500th

F4.5 1/500th

Carl Zeiss Jena Flektogon 35mm F2.8

A legandary wide angle lens, and considered to be one of the best wide angle primes in M42 mount. A bit older and slower than the F2.4, but excellent in performance. Zeiss lenses just have that something special, and colour reproduction is considered to be the best in this class. This lens is sharp wide open, and we have yet to encounter Chroma in any picture.

F2.8 1/1000th

F8 1/20th

F2.8 1/60th

F8 1/80th

Carl Zeiss Jena Pancolar 50mm F1.8

Legandary performance, and considered to be THE 50mm prime in M42 mount. Zeiss lenses just have that something special, and colour reproduction is considered to be the best in this class. This lens is sharp wide open, and we have yet to encounter Chroma in any picture.

F1.8 1/1000th

F8 1/90th

F5.6 1/80th

F1.8 1/500th

F8 1/320th

F8 1/320th

F5.6 1/640th

F2.8 1/1250th

F2.8 1/1000th

F1.8 1/2000th

F8 1/45th

F8 1/20th

F8 1/50th

F1.8 1/320th

F8 1/90th

Carl Zeiss Jena Tessar 50mm F2.8

Not the legandary performance of the Pancolar 50mm F1.8 CZJ, and obviously slower. However, results are pleasing. This lens is relatively sharp wide open, and it would appear that it is handling Chroma well. The lens flange extends too far for the Sigma SD9/10, and hits the dust protector. Focus to infinity is thus not possible on the Sigma cameras.

F11 1/15th

F16 1/125th

Carl Zeiss Jena Biometar 80mm F2.8 Medium format lens on Pentacon 6 to M42 adapter
 

 

Considered to be one of the best portrait lenses ever produced. Zeiss lenses just have that something special, and colour reproduction is considered to be the best in this class. We found this to be a great lens, which is sharp wide open. Colour reproduction is excellent, and Chroma is well controlled. A special Pentacon 6 to M42 adapter is required to use this medium format lens. This adapter opens a whole new world into wonderful medium format lenses, but most of them are quite expensive.

F11 1/160th

F16 1/125th

F16 1/125th

Carl Zeiss Jena Sonnar 135mm F3.5

One of the legends, a bit older than the MC version, but equal in performance. Considered to be one of the best 135mm primes ever built in M42 mount. Zeiss lenses just have that something special, and colour reproduction is considered to be the best in this class. This lens is sharp wide open, and we have yet to encounter Chroma in any picture.

F3.5 1/2500th

F11 1/250th

Carl Zeiss Jena 135mm F3.5 Multi Coated

One of the legends, considered to be one of the best 135mm primes ever built in M42 mount. Zeiss lenses just have that something special, and colour reproduction is considered to be the best in this class. This lens is sharp wide open, and we have yet to encounter Chroma in any picture.

F11 1/400th

F3.5 1/40th

F8 1/20th

F3.5 1/1250th

F5.6 1/500th

F8 1/200th

F11 1/125th

F3.5 1/1250th

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